Matinicus Southern End, Charcoal and fixative on paper, 17” x 21”

As a child in the late 1970s, my family visited Vinalhaven Island from our cottage in Northport. We often picnicked at Lane’s Island Preserve, where I could look across the water and see Matinicus Island on the horizon, about 14 miles away.

Matinicus fascinated me. It seemed impossibly far away—a small, mysterious place beyond the familiar islands I knew. I wondered what life was like there and what it would feel like to set foot on an island I had known only as a shape on the horizon.

Mom (37) and me (8) on Vinalhaven Island, 1979.

Looking South to Criehaven from Matinicus, Charcoal and fixative on paper, 17” x 21”

Looking South from Matinicus to Criehaven, Charcoal and fixative on paper, 17” x 21”

More than forty years later, in 2021, I finally made my first trip to Matinicus. Since then, I have returned every year. I have explored its roads and trails and hiked around its perimeter several times.

On my walks, I discovered a place on Matinicus that became visually compelling to me. In the foreground, blooming beach roses give way to tangled spruce and fir rooted among jagged rocks. Beyond them, a mile of open water stretches toward Criehaven Island on the horizon. The scene has a wild, timeless quality that continues to draw me back. My curiosity as an artist is to find ways to integrate these competing elements—the flowers, trees, rocks, water, and distant island—into a cohesive image.

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